The 21st Century Screenplay: a comprehensive guide to writing tomorrow's films

  

  

  

The 21st-Century Screenplay  is the long-awaited, much-expanded successor the author's internationally acclaimed book Screenwriting Updated. Many books in one, it offers a comprehensive, highly practical manual of screenwriting from the classic to the avante-garde, from The African Queen and Tootsie to 21 Grams, Pulp Fiction, Memento and Eternal Sunshine of the Spotless Mind.Whether you want to write short films, feature films, screenplay adaptations, genre films, ensemble films, genre films, ensemble films, blockbuster or art house movies or parallel narrative, this book takes you all the way from the choosing the brilliant idea to plotting, writing and rewriting. 

Featuring a range of insider survival tips on time-effective writing, creativity under pressure and rising to the challenge of international competition, The 21st-Century Screenplay is essential reading for newcomer and veteran alike.

  

Available at all good bookshops or buy online

Some online suggestions

USA and Canada  http://www.amazon.com/21st-Century-Screenplay-Comprehensive-Tomorrows/dp/1935247034/ref=sr_1_1?s=books&ie=UTF8&qid=1307061111&sr=1-1

UK http://www.amazon.co.uk/21st-Century-Screenplay-Linda-Aronson/dp/1742371361

For purchase with free delivery within Australia. http://www.coop-bookshop.com.au/bookshop/show/9781742371368

 

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What they said about The 21st Century Screenplay

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'It’s a huge achievement, an incredibly comprehensive analysis of what the screenwriter does, of what can go right and what can go wrong and how to fix it when it does. I highly recommend it.’

Andrew Bovell, Lantana, Blessed, Edge of Darkness

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‘A brilliant book. Linda Aronson is one of the great and important voices on screenwriting.’

Dr Linda Seger, author of Making a Good Script Great

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‘A VERY WONDERFUL book. I love the strategies for plumbing the unconscious story mind. There’s no other book that gives such an in-depth analysis of the “bone structure” for all these various kinds of narratives.’ - Robin Swicord, Little Women, The Jane Austen Book Club, Memoirs of a Geisha

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As a screenwriting teacher at New York University I recommend a broad spectrum of textbooks to my students. I tend to the view that most of these books offer something of value and each of them is essentially as good as the person who reads them. In the case of Linda Aronson’s work I make an exception. The 21st-Century Screenplay addresses areas not covered by others. The book provides the services of a personal script editor, dramaturg or even co-writer. It functions as a manual as well as a road map.

Paul Thompson, New York University